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Perspectives
- 1912 • The teacher. Collected contributions by his pupils
- 1912 • Albert Paris Gütersloh: Schönberg the painter
- 1912 • Wassily Kandinsky: The paintings
- 1912 • Heinrich Jalowetz: The Theory of Harmony
- 1912 • Anton Webern: Schönberg´s Music
- 1934 • Erwin Stein: Schönberg´s Sound
- 1934 • Franz Werfel: Hommage
- 1933 • Henry Cowell: Who is the Greatest Living Composer?
- 1933 • Nicolas Slonimsky: Welcome for the Incoming Modern Master
- 1944 • Lou Harrison: Homage to Schoenberg: The Late Works
- 1944 • Roger Sessions: Schoenberg in the United States
- 1934 • Eduard Steuermann: Music of the Future
- 1966 • Michael Leiris: from: On Arnold Schönberg
- 2001 • Hermann Nitsch: On Arnold Schönberg
- 1974 • Pierre Boulez: Schoenberg the Unloved?
- 1995 • Daniel Libeskind: No Location to Replace
- 1991 • Wolfgang Rihm: Arnold Schönberg
- 1974 • Helmut Lachenmann: On Schönberg
- 1933 • George Gershwin: America may well consider herself fortunate
- 2014 • Gerald Resch: Schönbergs Erbe – Seine Bedeutung für das Komponieren heute
- 1924 • Alban Berg: Why is Schönberg’s Music so Difficult to Understand?
- 1935 • Hanns Eisler: On Schönberg
- 1924 • Hanns Eisler: Arnold Schönberg, der musikalische Reaktionär
- 1934 • Egon Wellesz on Schönberg
- 1934 • Theodor W. Adorno: Der dialektische Komponist
- 1934 • Alexander Zemlinsky: Reminiscences of Youth
- 1924 • Adolf Loos on Schönberg
- 1924 • Francesco Malipiero on Schönberg
- 1924 • Alfredo Casella on Schönberg
- 1953 • Erwin Stein: Schoenberg
