Arnold Schönberg’s legacy remained in the possession of his heirs after his death in 1951 and was administered by his widow Gertrud Schönberg until 1967. In the 70s, Schönberg’s heirs decided to make the collection available to the Arnold Schönberg Institute of the University of Southern California in Los Angeles where a modern archive was established along with a concert hall and an exhibition hall. That archive was open to the public until 1997. Leonard Stein, who had studied with Schönberg, was the director of the Institute. During its 25-year history, the Institute was consulted by thousands of researchers, artists, students and music-lovers. Between 1975 and 1993, the “Friends of the Arnold Schönberg Institute” organized numerous activities at the Institute.
Towards the end of this period, the University of Southern California felt it could no longer fulfill the condition of Schönberg’s heirs that the Institute and archive be limited exclusively to research and studies about Arnold Schönberg, triggering off a legal battle between them and the University in 1996. Many cities, universities and private people were interested in giving the orphaned collection a new home: New York, Vienna, Berlin, Den Haag, Basel, Yale, Stanford, Harvard, Arizona and even in Los Angeles, the Getty Center and the University of California at Los Angeles.
Vienna, as the city that Schönberg was born in and the birthplace and namesake of the Viennese School, was chosen: in early 1997, the Arnold Schönberg Center Privatstiftung was founded by the City of Vienna together with the Internationale Schönberg Gesellschaft. The purposes of the Foundation include establishing the Arnold Schönberg Archives (legacy) in Vienna, its maintenance and preservation, the education of the public with regard to Schönberg's interdisciplinary artistic influence, as well as teaching and publicizing Schönberg's contributions to music and other achievements. The purposes of the Foundation shall be achieved by making the Schönberg legacy accessible and available for scholarly study and research by scholars, composers, musicians, and the general public; regularly organizing exhibitions, concerts, and other events; holding symposia and conferences devoted to the life and work of Arnold Schönberg; exhibiting paintings and drawings by Arnold Schönberg, which have been made available to the Foundation by their owners as a long-term loan.
After the collection had been moved from Los Angeles and the Schönberg Center had been opened in March 1998, the archive was made available to researchers, composers, musicians and the general public. The collection contains approximately 9.000 pages of musical manuscripts, 6.000 pages of text manuscripts, 3.500 historical photos as well as personal documents, diaries, concert programmes, his entire library (music, books and recordings) and a replica of Schönberg’s study in Los Angeles. Almost all of the original manuscripts and other Schönbergiana that are not a part of the collection are nevertheless available in copies or on microfilm at the Center. The Center’s reference library also offers visitors one of the most complete collections of literature concerning the (Second) Viennese School in the world.
In March 1997, as one of its founders, the International Schönberg Society deeds Arnold Schönberg’s residence in Mödling (1918-1925) to the newly founded Arnold Schönberg Center Private Foundation. The house, which is a living monument for the intellectual activity of Schönberg’s Viennese circle, contains a museum (open to the public since September 1999).
Select your language
