Wednesday, May 21 | Thursday, May 22 | Friday, May 23

9.00 – 10.30 am (Chair: Sara Beimdieke)
Hiram Kümper (Mannheim, DE)
Kulturelle Mobilität in Julius Bahles musikpsychologischen Studien und in den Antworten seiner Probanden

Charlotte Carayol (Bordeaux, FR)
Zionist Activism Through the Songs of the Exile-Cabaret Die Arche (New York, 1943–1944)

Irit Youngerman (Haifa, IL)
Between Yekaterinoslav, Berlin, Paris, and Palestine: The Musical Mobilities of Verdina Shlonsky

11.00 – 12.00 am (Chair: Ulrike Anton)
Friedemann Pestel (Tübingen, DE)
Cultural Mobility as a Global Window of Opportunity: The Vienna Philharmonic in Latin America 1922/23

Assaf Shelleg (Jerusalem, IL)
Tragic Actants

12.00 am – 1.00 pm
Roundtable Kulturelle Mobilität (Chair: Assaf Shelleg)
with Sara Beimdieke, Eike Feß, Markus Gräser and Nils Grosch

The concept of “cultural mobility” expands our understanding of art and culture by conceiving the mobility of people in geographical, social, and cultural spaces as well as the products of their creativity within a dynamic network of relationships. Lectures at this symposium will address these topics as they relate to Ernst Krenek, Arnold Schönberg, and their contemporaries, as well as their historical, geographical, and cultural spheres of activity.

The Symposium will be streamed live on YouTube and will be available for seven days afterwards.

Cooperation Ernst-Krenek-Institut and Arnold Schönberg Center